Ebook Free The Renaissance Nude

Ebook Free The Renaissance Nude

The Renaissance Nude

Ebook Free The Renaissance Nude

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Review

" . . . fantastic, richly readable . . . "--Tyler Green "The Modern Arts Notes Podcast "

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About the Author

Thomas Kren is an independent scholar and adjunct professor of art history at the University of California, Santa Barbara. A specialist in medieval and northern Renaissance manuscripts, he founded the J. Paul Getty Museum’s Department of Manuscripts in 1983. He recently retired from his position as associate director of collections. Jill Burke, a senior lecturer in art history at the University of Edinburgh, specializes in Italian Renaissance art. Stephen Campbell, the Henry and Elizabeth Wiesenfeld Professor and acting chair of the Department of the History of Art at Johns Hopkins University, is a specialist in Italian art of the fifteenth and sixteenth centuries. Andrea Herrera is a PhD candidate in the Department of Art History at the University of Birmingham. She teaches art history at Riverside City College and is a curatorial assistant at the J. Paul Getty Museum. Thomas DePasquale is a PhD candidate in the Department of Art History at the University of California, Santa Barbara. He teaches there and at California Polytechnic State University, San Luis Obispo.  

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Product details

Hardcover: 432 pages

Publisher: J. Paul Getty Museum; 1 edition (November 20, 2018)

Language: English

ISBN-10: 9781606065846

ISBN-13: 978-1606065846

ASIN: 160606584X

Product Dimensions:

8 x 1.7 x 11.2 inches

Shipping Weight: 6.2 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#88,872 in Books (See Top 100 in Books)

This is the catalogue that accompanies the Renaissance Nude exhibition organized by the J. Paul Getty Museum in association with the Royal Academy of Arts, London. The exhibition will travel from The Getty to the Royal Academy, but some pieces will appear at only one venue, so this catalogue is the only way to see each and every piece.The Exhibition is organized around five "Parts", with the central theme being how the nude was addressed between 1400 and 1530, and throughout Europe. The art is central, of course, but the analysis and commentary covers the political, social, cultural, technical, religious, and even economic environment in which the works were created and displayed.The book is nicely organized. From a wide ranging and rather congenial Introduction, and then through sixteen varied, lively, and sometimes idiosyncratic essays by scholars in the field, we approach the matter of the nude from a fascinating and engaging range of perspectives. Each essay or set of essays is followed by a collection of shorter pieces, (about a page each), addressing individual exhibit items in great detail. This bobbing up for air and then diving deep approach serves the exhibit well and makes the catalogue both a useful tool and a browser's delight.I was rather taken by the fashion in which the exhibit, and the essayists, played about with the idea of the nude as a source of shame, beauty, confusion, desire, and the idyllic, and very much enjoyed the personality and style that was brought to the project. This book is much more than a dry list or recitation of exhibit "contents", and struck me as quite an achievement on its own.(Please note that I received a free advance will-self-destruct-in-x-days Adobe Digital copy of this book without a review requirement, or any influence regarding review content should I choose to post a review. Apart from that I have no connection at all to either the author or the publisher of this book.)

This book provides history and cultural context about some of the most popular pieces of nude art created during the Renaissance. Lesser known pieces of art are discussed as well, including images on manuscripts, sculptures, medals, and print. The book is divided into 5 parts, including sections dedicated to Christian art, humanism and secular themes, artistic theory and practice, beyond the ideal nude, and personalizing the nude.The first section about Christian art was one of my favorites, I found it interesting to see how certain female biblical figures including Eve and Bathesheba were portrayed and discussed. There were many different types of female forms depicted during this time, including women as the object of a male’s gaze,the sexually available woman, the dangerous witch, and the woman of power.This was a gorgeous and educational book. Thank you Getty Publications for the ARC.

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